CROPPED APPLE this project reimagines a 2012 New York archive through two perspectives: one explores architecture in a landscape shot, while the other uses cropping to reinterpret various situations.
Moving from a focus on structures without people, the final work reveals the social and intimate aspects of these spaces. "Cropped Apple" redefines photography by drawing new meanings from a single image.
EXOLITH Throughout the project, the location is never explicitly stated, allowing the reader to interpret the meaning of the action and the nature of the place on their own. The project was designed to deceive the reader by presenting a series of images taken with very close-up shots, removing the object from its context and sometimes suggesting different contexts. By not providing identifying information, the reader is not influenced by their own biases or memories, and is encouraged to freely imagine the context of what they observe.